Posts Tagged ‘Jane Austen Rice Portrait’

This link to All Edges Gilt features a Johann Zoffanny illustration of Jane Austen based on a disputed painting, the Rice portrait by Ozias Humphry. Zoffanny’s fronticepiece is found in a 1906 publication of Sense and Sensibility. In Johann’s clumsy drawing, Jane’s head is too large and her feet are too small. The rest of the proportions are close enough.

Humphry’s portrait famously failed to sell at a Christie’s auction in New York in April, 2007.

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The “Rice Portrait” of a supposedly young Jane Austen failed to sell at auction at Christie’s on April 19th. For details, read The Globe article here or the Austen.blog’s extensive post about the failed sale.

To read the online NBC article, Confessions of an Austen-ite by Lisa Daniels, click here. And for a 3 minute video about the Rice Portrait, click here. (Wait for the commercial to end.)

For my assessment of the Rice Portrait, click here.

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Is this a life likeness of Jane Austen at 14 or 15 or isn’t? That is the question about the Rice Portrait of Jane Austen by 18th-century British artist Ozias Humphry. The painting will be auctioned on April 19 at Christie’s in New York for over a half million dollars.

The Rice family claims that this image of Jane,with her simple white muslin gown and simple yet elegant hairstyle, was painted around 1788 or 1789. Below sits an image of the Frankland sisters, which was painted in 1795, at least 7 years later than the Rice portrait. Notice that the waist sits lower than the empire waist, and that the sash displays a prominent bow. The sisters’ hair is curly, and quite elaborate. These characteristics show up in the next image as well.

This image of Marie Antoinette and her children in 1787 shows fashions that are not much different than those of the Langland Sisters. The waist sits lower than an empire waist, and the sash is wide, with a noticeably large bow tied in the back. Examine the hairstyles of both mother and daughter, the Duchesse d’Angouleme. Marie is wearing the powdered wig so popular during this period, while the Duchess’s hair is crimped and quite stylized.
The 1803 image below of a young girl by Louis Leopold Boilly echoes the purported image of Jane in this post. We know that children in those days wore fashions similar to adults, and I would say that this dress more closely resembles the one worn by the girl in the Rice Portrait than those worn by the Langland Sisters or Marie Antoinette. Observe the child’s relaxed curly hairstyle and her simple kid slippers.

So, gentle readers, you decide. Is the Rice portrait authentic? Provenance is important in determining a painting’s authenticity, but even if this portrait has remained in the family’s possession for over 200 years, who can prove that this is indeed an image of a very young Jane Austen?

I wish it were, but does wishing ever make anything come true? “Rice and his family never doubted the lively girl wearing a long white dress and carrying a parasol was their ancestor. Yet, in 1948, a leading Austen scholar dismissed the authenticity of the portrait, saying the style of costume the subject wears does not match the date.” (Quoted from the Yahoo article below).

Based on the wealth of paintings and drawings we have at our disposal, I would have to agree with this scholar, although obviously Christie’s auction house doesn’t. Read this article, “My Dear it is a Matter of Dress and Sensiblity,” written in 2003 by Jack Malvern in the Times Online. The author makes a clear case for authenticity.

So my question to you is: Do you think this is an early portrait of Jane?

Read more about the Rice portrait at these sites:

New York Times: http://www.nytimes.com/2007/03/23/arts/design/23voge.html

Yahoo article:


Art Works Gallery: http://www.artworksgallery.co.uk/book.html

BBC News: http://news.bbc.co.uk/2/hi/entertainment/6484281.stm

Jane Austen Images on the JASNA website: http://www.jasa.net.au/images/austen.htm

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