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Searching for Captain Wentworth, by Jane Odiwe.

Time travel has always presented a logical difficulty for authors: How to make such a romantic notion seem plausible? I have a way of dealing with time travel stories – suspend disbelief and enjoy the ride. Jane Odiwe’s new book speaks directly to one of my fantasies – to meet Jane Austen and to get to know her as a friend. Oh, if that were only possible!

I’ll admit that I have a fondness for Ms. Odiwe’s books. In this new endeavor she has outdone herself. After finishing Searching for Captain Wentworth I felt as if I had taken a trip to Bath and Lyme Regis, met Jane Austen, and been treated to a wonderful romance.

Not everything about the book is perfect. While the love affair between Charles and Sophia had me engrossed, the one twixt Josh and Sophie left me somewhat cold. The ending seemed rushed, and although loose ends were tied, much of the details didn’t make sense, as with all time travel stories. But logic is not the point of a time travel book: it is fantasy and wish-fulfillment.

This book has fantasy aplenty, backed up by history and Ms. Odiwe’s intimate knowledge of Jane Austen’s life and the environs of Bath. I had the privilege of visiting Bath and staying in a hotel near Sydney Gardens just off Great Pulteney Street, and the book kept conjuring up memories that I thought I had forgotten. Vividly described is the arduous but ultimately rewarding climb up Beechen Cliff. Ms. Odiwe uses this walk as a marvelous plot device while taking us on a guided tour of that famous J.A. landmark. She takes her characters to Lyme Regis as well, and has a knack for writing an original story while admirably following Persuasion’s plot.

I could write a longer review, but I don’t want to reveal too much of the plot. Well done, Ms. Odiwe. This is one of the few review books that I read from start to finish. I give Searching for Captain Wentworth five out of five regency tea cups with this caution: If you are not a fan of romance novels, Austen sequels, or time travel tales, then you will wonder at my gushes.

This book can be purchased as an eBook as well as in the traditional format.

Jane Odiwe’s blog

Paperback: 320 pages
Publisher: Paintbox Publishing (September 7, 2012)
Language: English
ISBN-10: 095457222X
ISBN-13: 978-0954572228

Note: Green links are WordPress ads. The blue links are mine. I make no money from this blog.

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Inquiring readers: Paul Emanuelli, author of Avon Street, has contributed a post for this blog before about the City of Bath as a Character. He has graciously sent in an article about crime and an incident involving Jane Austen’s aunt, Mrs James Leigh-Perrot. Paul writes about Bath in his own blog, unpublishedwriterblog. It is well worth a visit!

Arrest of a woman at night, 1800. Thomas Rowlandson. Image @The Proceedings of the Old Bailey

Apart from the Bow Street Runners in London there was no organised police force in 18th Century England. The capture and prosecution of criminals was largely left to their victims to deal with. Every parish was obliged to have one or two constables, but they were unpaid volunteers working only in their spare time. A victim of crime who wanted a constable to track down and arrest the perpetrator was expected to pay the expenses of their doing so.

Sometimes victims of crime hired a thief-taker to pursue the wrong-doer. Again, they were private individuals working much like latter day bounty hunters. Sometimes, thief-takers would act as go-betweens, negotiating the return of stolen goods for a fee. Many though were corrupt, actually initiating and organising the original theft in order to claim the reward for the return of goods, or extorting protection money from the criminals they were supposed to catch.

Covent Garden watchhouse. Image @The Proceedings of the Old Bailey

For the most part, unless a criminal was “caught in the act” (probably) by their intended victim it was unlikely they would be brought to justice. In the absence of a police force, the maintenance of “Law and Order” therefore came to depend more on deterrence rather than apprehension and the harshest penalty of all came to cover more and more crimes. In 1799 there were 200 offences that carried the death penalty, including the theft of items with a monetary value that exceeded five shillings.

In practice, judges and juries often recognised the barbarity of the punishment in relation to the crime. Juries might determine that goods were over-priced and bring their value down below the five shilling threshold. Defendants might claim “benefit of clergy” which by virtue of stating religious belief and reading out an oath allowed the judge to exercise leniency. In other cases the Government could review the sentence. Between 1770 and 1830, 35,000 death sentences were handed down in England and Wales, but only 7000 executions were actually carried out.

Milliners shop, after Henry Kingsbury

On the 8th August 1799, Jane Leigh-Perrot was accused of stealing a card of white lace from a millinery shop in Bath. The Leigh-Perrots, a wealthy couple, were Jane Austen’s mother’s brother and sister-in-law (Jane’s Uncle and Aunt). The white lace valued at £1 was found in Mrs Leigh-Perrot’s possession together with a card of black lace that she had bought and paid for from the same shop. Mrs Leigh-Perrot denied stealing the lace, saying that the sales clerk must have given it her by mistake when he handed over her purchase. She was nevertheless arrested on a charge of “grand theft” and the lace she was said to have stolen was worth four times the five shillings that carried the death sentence.

Jane Cholmeley Perrot, aka Jane Austen’s Aunt Perrot

In practice it was unlikely (given her standing) that if she had been found guilty she would have been sentenced to death. The alternatives, however, included branding or transportation to the Australian Colonies with the prospect of forced labour for 14 years. Jane Leigh-Perrot was refused bail and committed to prison on the sworn depositions of the shopkeeper. Due to her wealth, social standing and age she was allowed to stay in the house of the prison keeper, Mr Scadding, at the Somerset County Gaol in Ilchester, rather than being kept in a cell. Mrs Leigh-Perrot still wrote though that she suffered ‘Vulgarity, Dirt, Noise from morning till night’. James Leigh-Perrot insisted on remaining with her in prison.

Mr James Leigh-Perrot. Image @JASA

During her trial Jane Leigh-Perrot spoke eloquently for herself. Several testimonials as to her character were also read out to the court. At the conclusion of the trial the jury took only 10 minutes to find her “Not Guilty.” It does, however, make you wonder how someone less well refined, less well-connected, less eloquent, less educated, less wealthy might have fared. The evidence of her guilt, might have been quite sufficient to send someone else to the gallows, or transported, or branded with a hot iron. She was after all caught in possession of the item and identified by the shop-keeper. In “Persuasion” Captain Harville asks Anne Elliot, ‘But how shall we prove anything?’ Anne replies, ‘We never shall.’

Mrs. Leigh-Perrot. Image @JASA

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Gentle Readers, a few months I featured a new book, The Pump Room Orchestra: Three Centuries of Music and Social History, by Robert Hyman and Nicola Hyman, which you can order from Amazon.com. Recently BBC Radio 3 came to the Pump Room to do an interview with the Pump Room Trio. The review/feature will be on ‘Music Matters’ which starts at 12.15 pm on Saturday, December 10th. Nicola sent me a few images from the event. I do hope you will tune in on Saturday to listen to the interview! Meanwhile, enjoy these images.

The Pump Room Trio

Here’s the link to listen to the 12 minute program on Saturday! Fabulous.

Robert and Nicola Hyman

The gathering in the Pump Room. Note the breathtaking chandelier and the marble statue of Beau Nash carved by Joseph Plura that sits in an alcove above the clock.

Bath Minuet Company

The Bath Minuet Company

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The Comforts of Bath, Thomas Rowlandson.

Almost everyone who visits my blog, Twitter account, and Facebook page knows I’ve broken my foot in two inconvenient places. Even with modern medical advances the most pleasant way to describe my experience is that it’s been a … pain. Literally and figuratively. This lover of walking 3-4 times a day with her dog has been sidelined. I’ve been sitting or lying down for a month, watching my bum grow two sizes. I’m a bit more mobile now and can hobble wearing an unwieldy boot.

How did people deal with this situation two-hundred years ago? I wondered as I stared at the ceiling with my foot propped up higher than my head. It certainly could not have been easy. Mrs. Mapp, or Crazy Sally, as she was known, was a famous London bone setter in the early 18th century. While she was unlucky in love, she made her fortune with her strength, boldness, and wonder-working cures.

Besides driving a profitable trade at home, she used to drive to town once a week in a coach and four and return again bearing away the crutches of her patients as trophies of honour. – Mrs. Mapp: The Bone-Setter, Book of Days, Robert Chamber, 1864

I doubt Mrs. Mapp would have bothered setting my foot. There was really nothing to manipulate. All it needed was rest and a good calcium-rich diet. How did people get round and about when they were hobbled in days of yore?

In my estimation, crutches resembled torture instruments more than helpmeets.

Beggar with one leg and a crutch. Image @Risky Regencies

This 1850 crutch is similar to the one depicted in the image above. It was not adjustable, and rags were wound around the top to make the crutch less painful. Even with ample padding on the modern crutch, my underarms became sore. I can only imagine how much discomfort the old models offered.

Wheelchair, Barry Lyndon

Wheelchairs were invented early in the history of mankind. In 530 B.C. a wheeled child’s bed made an appearance on a Greek vase, and in 525 A.D. a wheelchair was depicted on a Chinese print. By the 17th century, the patient’s comfort began to be taken into account.

Paralytic woman in wheelchair, 1821. Image @Museum of London

During the 18th century the Bath chair was born. Invented by John Dawson, the three-wheeled chairs remained popular all through the 19th century.

3-wheeled Bath chair. Image @BBC

This Rowlandson caricature depicts the ill visiting the Pump Room to take the waters. Note the sedan chair at left being carried inside the room, the man in the wheelchair, and the man walking with two canes.

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I spent a lazy Sunday catching up on the many posts I am unable to read during the week. Imagine my delight when I landed on Madame Guillotine’s blog and read her impressions about her visit to the Fashion Museum in Bath.  With increasing excitement, I viewed her close up images of several of the most beautiful 18th and early 19th century gowns imaginable. Melanie graciously allowed me to showcase her posts. (I concentrated on the early 19th century examples.) Do rush over and view all her photos. They are simply amazing.

I have just got home after an amazing couple of hours spent studying some of the eighteenth century dresses in the vast collections (I think they said they have 80,000 pieces in their archives) of the Fashion Museum in Bath.

English, silk, 1770-73.

It was amazing seeing the hook and eye arrangements that they used to do up the bodices, the neat seam work and even the staining beneath the armpits which serves as a reminder that these are the real deal and not just mere costumes!

French, sacque gown, 1760-63. Image @Madame Guillotine

They were really keen on combinations of pink and green during the eighteenth century – a colour combination that seems to have vanished from fashion, alas.

A floral printed muslin from 1793-97. Image @Madame Guillotine

[This dress] is really is lovely – very floaty and romantic with a pretty floral print. You can really imagine Marianne Dashwood in this one!

Muslin dress, 1813-20. Image @Madame Guillotine

This dress was so beautiful but really worryingly see through! You forget this about muslin when you see them in period dramas…

Patterned muslin dress, 1815-20. Image @Madame Guillotine

This is the sort of thing that a Heyer heroine would have worn.

These images are just a foretaste of the many photos that Melanie took at the Fashion Museum. To read both her posts, click on the two links below:

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There Must Be Murder, a very nice story by Margaret C. Sullivan,

It is one year after Catherine has married her Henry. She still is sweet and naïve, but she now possesses the womanly knowledge that every bride with an adoring husband soon comes to know. Henry Tilney is as charming as ever and clearly loves his pretty Cat. The couple, only one year married, live in Woodston Parish with a cat named Ruby Begonia and an assortment of dogs, including a Newfoundland named MacGuffin. Catherine has redecorated the pretty parsonage, and the couple has a habit of cozying up together as Henry reads passages from The Mysteries of Udolpho. During one such occasion, Catherine fondly recalls her introduction to Henry in Bath by the Master of Ceremonies, Mr. King, and in no time Henry has arranged for a visit to that ancient city.

“Henry, you know perfectly well that I keep no journal. Besides, I did not know then that you were my future husband.”

“Some husbands would be injured at such an admission, but not I; after all, I did not know that you were my future wife. I remember that I was wandering about the Rooms like a lost soul, having no acquaintance there. The master of ceremonies, Mr. King, took pity upon me and asked if I would like an introduction to a clergyman’s daughter who was in need of a partner. In Christian charity, I could not decline; though from my past experiences of ladies described as ‘clergymen’s daughters,’ I expected to be presented to an elderly spinster with a squint. You may imagine my relief when Miss Morland turned out to be rather a pretty girl, and I considered myself fortunate that no other gentleman had already claimed the honour of dancing with her.”

Catherine’s eyes were shining. “You thought me pretty?”

“Indeed.” Henry reached for her hand and kissed it.

Margaret C. Sullivan, the author of this charming tale, deftly combines old characters (General Tilney and Henry’s sister, Eleanor) with the new – an apothecary named Mr. Shaw, a pretty but calculating woman named Judith Beauclerk, her mother, Lady Beauclerk, and Sir Philip, to name a few. Ms. Sullivan takes us on a sweet journey over familiar territory, paying homage to Jane’s characters while staying true to her own writing style. The book is illustrated with pen and ink drawings by Casandra Chouinard, which certainly enhance one’s enjoyment of the novella.

Catherine, Mr. King, and Henry Tilney. Image @There Must Be Murder

Fans of Jane Austen will recognize Margaret as the editrix of Austenblog, the longest surviving Jane Austen blog on the blogosphere, and as one whose knowledge of Jane and the Regency period is that of an expert. And thus the details set down in this tale are accurate and true to the time, including the use of arsenic in beauty potions. Margaret’s humor also shines through, and I found myself turning page after page until I had finished the story in one sitting.

Here’s her bio, with an example of her humor: Margaret C. Sullivan is the author of numerous Jane Austen sequels and editrix of AustenBlog. Her first book, The Jane Austen Handbook: A Sensible yet Elegant Guide to Her World, will be in bookstores this spring. She likes to think that Henry Tilney would dance with her at the Lower Rooms, although she is an almost-middle-aged spinster with a squint.

If you are intrigued by my short review, you may purchase the book in several ways. Girlebooks, an excellent source of free Ebooks, now offers original eBooks that have never been published, such as There Must be Murder. You have a choice of several platforms in which to download the book or purchase a printed copy. It is available for $9.99 at Amazon paperback and for free at Smashwords at this link .

The novella was first commissioned by the Jane Austen Centre, and you may read the book chapter by chapter in this link.

Enjoy! I certainly did.

Book Giveaway (Closed – congratulations to winner, Cecilia): If you leave a comment, you have a chance to win my hard copy of the book with all its charming illustrations. The drawing (by random number) will be held on February 5th.

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Copyright (c) Jane Austen’s World. Inquiring Reader, When I visited Bath years ago, I kept a journal, which I completely forgot about until yesterday, when I found it among a pile of papers. It is the custom in my family to arrange for lodging on the day of our arrival and the night before our departure in any foreign land, and to trust in the suggestions from the people at the local visitor’s bureau for the rest of the vacation. We visit such establishments after 3 or 4 PM, when many hotels begin to deeply discount their rooms. This habit is a bit like gambling, but for us it has paid off spectacularly.

My budget-minded family has followed this practice successfully, sometimes even at the height of tourist season, in England, the Netherlands, France, New Zealand, and the great American west. The pay-off is in finding lodging in charming hotels or B&Bs at a fraction of their normal price. (Our best bargain ever was in the French Quarter in New Orleans at the Place d’Arms, where we spent 4 glorious days in a luxury suite for $78/night. It was April, perfect weather for N.O.)

Bath to London coach on the open road

Back to England. My ex and I traveled from London to Bath (yes, we rented a car, and yes, he successfully negotiated his way out of London with me reading the map and helping him to enter and exit the round-abouts. Talk about a hair raising journey, for he had never driven on the British side of the road before and I am at best a terrible map reader). We entered Bath along the London Road, looking for the distinctive blue and white V sign, and discussed the price we were willing to pay. Those good people steered us to the Dukes Hotel on Edward Street, just off Great Pulteney Street,  across the Pulteney Bridge in Bathwick and near Sydney Gardens.

The Dukes Hotel on the corner of Edward Street and Great Pulteney Street

As a Georgette Heyer and Jane Austen fan, I felt that I had simply died and gone to heaven.

Entrance to the Dukes Hotel

Compared to Bath’s ancient Roman buildings and medieval streets, Great Pulteney Street is rather modern.  In the 3rd quarter of the 18th century, the city council voted to expand Bath’s boundaries across the River Avon. This era marked an expansion and growth for the city that resulted in the addition of thousands of new houses inside Bath proper and outside of it. Sir William Pulteney, who resided on an estate called Bathwick and fortuitously located across the river, commissioned architect Thomas Baldwin to design and build Great Pulteney Street. The task was completed in 1789.

Location of the Dukes Hotel

Situated at one end of this long broad thoroughfare is Sydney Gardens, the pleasure gardens mentioned so often by Jane Austen and Georgette Heyer and others who have journeyed to Bath.

Bath Hotel at the entrance of Sydney Gardens 1825

Seen prominently at the entrance of Sydney Gardens was the Bath Hotel (see a 360 panoramic view), now the Holburne Museum.

View from Laura Place towards Sydney Gardens with the Holburne Museum barely visible at the end of the street.

To return to our first evening in Bath, our room at the Dukes Hotel was charming but offered no view (which often happens when you wait for a bargain). We  immediately set off to explore Bath on foot, for it was mid-July when the days were long. Great Pulteney Street did not disappoint me with its wide sidewalks and row upon row of graceful houses made of Bath stone.  I would take this walk several times per day, and it is this street in particular that I still recall most vividly. I imagined myself wearing a Regency outfit and hearing the clopping of horses’ hooves and the rattling of carriages as I made my way towards Bath proper.

The wides expanse of Great Pulteney Street, walking from Edward St. towards Pulteney Bridge

At this point I must share with you why I am using Google earth images. My own photos are still missing. You can imagine how delighted I was to be able to reconstruct my journey from my newly found journal and the images I pulled from Google maps.

Laura Place. The fountain was built in the third quarter of the 19th century.

We walked past Laura Place, where Lady Dalrymple from Persuasion had taken a house for three months, until Great Pulteney Street ended at the fountain. It is then named Argyle Street.

Pulteney Bridge, 1779 by Thomas Malton Image @Victoria Gallery

We ambled along slowly, taking in all the sights and brazenly looking into windows when we could, and continued on to  Pulteney Bridge, a Palladian bridge designed by the Adam brothers and finished in 1773. The bridge has seen several renovations since, especially in the design of the shops that line it.

The Weir as seen below the bridge

We walked down the steps to the bank of the river and listened to the rush of water on the Weir  until the sun set. Click here for an arial view of the walk I have just described.

And so I conclude our first evening in Bath, which, due to the stress of driving in a foreign land from a major city along by-ways that eschewed busy thoroughfares, ended quite early for us. I did have time to write down my thoughts at a tiny desk in our third floor room.

This video brings back memories of driving around Bath’s environs. Driving up and down green hills near Bath, England

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