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Archive for the ‘Austenesque variation’ Category

BrideofNorthangerBirchallInquiring readers, I’ve met Diana Birchall on only a few occasions, but during those times we became fast friends. Her blog, “Bright and Sparkling” describes her conversational and writing styles to a tee. This interview is one prime example of a typical conversation one might have with Diana. Enjoy!

Diana, my dear, please explain to this uninformed dullish reader your genuine love for Henry Tilney. I am truly curious, for he leaves me *ahem* somewhat cold. His attraction towards the nubile, but very young and innocent Catherine mystifies me. Educate me, please!

Uninformed!  Dullish!  You!  Oh, how can you say so? In the words of John Thorpe in Northanger Abbey, “You have so much, so much of everything; and then you have such — upon my soul, I do not know anybody like you.” But I am come not to quote the oafish Thorpe, but to praise one of my favorite heroes, the charming, intelligent, original, ever delightful Henry Tilney. Yet, to tell the truth, for a long time I was puzzled by Mr. Tilney, in just the way you express. He was certainly witty, but in mind, education, conversation, and sophistication, he was miles above commonplace little Catherine, and as Jane Austen said, it was a match beyond her claims. Being seventeen she was nubile, but not a great beauty; remember we are told, “To look almost pretty is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life than a beauty from her cradle can ever receive.”

So the relationship never set quite right with me, just as you say, and it was this aspect that I most wanted to understand, when I set out to write my book. In writing a paper for Sarah Emsley’s celebration of the 200th anniversary of Northanger Abbey, I focused on Henry’s father, General Tilney, and tried to understand the psychological dynamic of the peculiar Tilney family, and how this formed and influenced Henry. I called the piece “The Ogre of Northanger,” for it was easy to see that the General was a domestic bully who tyrannized over his children. He approved most of Captain Tilney, an insensitive cad who was following his own profession. Eleanor he turned into almost an abject slave, and Henry clearly disappointed him. Gentle, book loving, by profession a clergyman rather than a materialistic man of greed and action like the General himself, Henry probably was more like his own excellent mother, and not, in his father’s eye, likely to amount to much: he would never make money (which mattered most to the General), and so a rich match must be found for him. The General bullied Henry and Eleanor constantly, about every last domestic detail, dictating timetables and behavior, boasting and expecting to be flattered, making their lives a misery. He must have been the most exhausting father, and Henry suffered much, particularly by seeing Eleanor’s unhappiness and being powerless to help her. His father’s machinations and manipulations were precisely why he valued Catherine, finding her innocence and simplicity deeply refreshing after what he was used to at home.  He is charmed by her “fresh feelings,” and he tells Eleanor, “Open, candid, artless, guileless, with affections strong but simple, forming no pretensions, and knowing no disguise.” She replies, with a smile, “Such a sister-in-law, Henry, I should delight in.” Once I realized why Henry genuinely found Catherine the kind of woman who would be a solace and a support, the development of feelings between the couple began to fall into place, and it became quite a natural and convincing love story, worthy to stand beside Austen’s others. Catherine’s artless intense feeling for Henry is palpable from the start, but while he begins almost like teasing a younger sister, his feeling develops into real respect and affection. This is what I wanted to explore and continue in my book, alongside having some Gothic fun:  I wanted to show how the marriage would grow as Catherine matured and became better educated, a sensible woman, quite worthy to be Henry’s wife. And that’s what happens.

Alright, you’re convincing me regarding Mr. Tilney’s charms. You’ve alluded to Catherine and Henry’s physical attractions and connubial bliss in the story, but this 21stcentury voyeur wanted more! Yet I sense that you chose a restrained path because you honored Jane Austen’s voice? Tell me how you came to this decision.

It wasn’t even a decision. It never once occurred to me to put in sex scenes, however I may enjoy the “pleasing passion.” Jane Austen makes us feel her characters’ passions, loves, broken hearts and longings better than any writer who does show the Darcys bouncing in bed.  Hers was a good enough example for me – the best; and since my aim is to write in a style as closely and truly Austenesque as humanly possible after thousands (yes thousands!) of rereadings and years of close study of details of style, to baldly display Henry and Catherine in a defloration scene or whatever, would seem truly jarring. Let other pens dwell on sin and sexuality; not mine.

Excellent reply! Your characterizations of John Thorpe (especially), General Tilney, Captain Frederick Tilney, and that vixen, Isabella Thorpe – are spot on. How much fun was it to flesh these folks out for readers? (BTW I loved the references to Harriette Wilson, which I caught right away.)

It is so much fun for me to play with the minor characters that sometimes when I do it, I find myself laughing out loud!  I’ve always been drawn particularly to Austen’s villains and grotesques – hence my spending so much time with Mrs. Elton – and it is just a delight for me to revisit these people and listen to them talk. For that’s what happens; we know these characters (John Thorpe indeed!) so well, we’re able to imagine what they’d say about anything. Jane Austen’s own indelible characterizations are so vivid that it’s easy to carry them further; in fact, it feels as if they talk to me and I just try to get it all down! This is part of her genius and one of the reasons why she lends herself so superbly to sequels.

I agree. So often the minor characters add piquancy and spice to the plot and a raucous laugh or two. And now we come to your plot for the novel, which I found, well, novel to say the least. The twists and turns kept me perpetually surprised. Tell me a little about your creative process. I think you must have meticulously plotted the plot from the start, or did you allow your characters to speak to you as you went along? Or both?

You’re exactly right on both counts. I did write an outline of roughly what would happen in each chapter. Then I put the novel down for years, but I always meant to pick it up again, and when I did, I only had to follow what I had told myself to do. And yes, as I’ve said, the characters did just speak to me as I went along. I simply put down what they’re saying to me (sometimes I act it out to see how it sounds, in a hellacious English accent). Then when I’ve got it all down, I go over it again to improve it, until it actually starts to look like something; and then a third time for a close polish.

Fascinating! Do you want to add anything else for our readers? Please feel free to give it a creative go!

Just that after a lifetime spent poring over Jane Austen’s works (not a bad study or amusement, by the way – for one thing, she is the finest writing teacher you ever heard of), this close examination of Northanger Abbey showed me that far from being negligible compared to her more mature novels, it has more in it than meets the eye, and is very delightful and well worth revisiting. My greatest wish is that my novel will make people go back to Northanger Abbey, and find reading the two in tandem to be time well and pleasantly spent!

Thank you, Diana, for your fascinating insights. Also, kudos to Laurel Ann Nattress of Austenprose, who herded a score of bloggers together for this blog tour. You helped to make this process quite easy for me! Thanks to you as well.

Visit Diana at her Austen Variations author page, follow her on Twitter, Facebook and Goodreads

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BrideofNorthangerBirchall

Inquiring readers: Author Diana Birchall has written her latest addition to the Austenesque fiction canon. This post is a review of Catherine Tilney’s (née Morland’s) continuing adventures in Northanger Abbey. No matter how hard Henry Tilney’s young bride tries to retain her calm, she somehow becomes entangled in yet another Gothic adventure.

As the novel opens, Henry Tilney and Catherine happily anticipate their wedding, but before the ceremony, Henry must share important information with his intended – that for generations the Tilney family has suffered a dreadful family curse which results in the wife of the eldest son meeting with an untimely end. Catherine quickly dismisses the idea, since Henry is the second son.

The happy couple are married surrounded by family and friends, absent General Tilney, who is still angered that his son wed an ordinary chit with only £3,000 to her name. Nevertheless, the young couple settle into connubial bliss in Woodston Parsonage, the lovely cottage Catherine fell in love with the moment Henry showed it to her. Even better, it is situated 20 miles or so from Northanger Abbey. Life is good for the young Tilneys until the couple visit General Tilney. During her visit at NA, Catherine sees a lady in grey at night wandering the halls. She fights fear in favor of logic, but then receives an ominous missive:

Bride of Northanger, beware the Maledict, that falleth upon you. Depart the Abbey in fear and haste, and nevermore return.”

And, so, the plot thickens, with Ms. Birchall bending, twisting, and turning it upside down until we readers becomes dizzy from guessing where the tale will end. Along the way, we are treated to an assortment of some of Austen’s finest characters. Birchall connects their stories to Austen’s by adhering to their psychological states, and personal quirks and behaviors in the original novel.

While paying homage to Austen, Birchall writes in her own light and lovely style. She characterizes John Thorpe as deliciously sleezy and slimy. His sister, Isabella, is still a slutty, scheming vixen. General Tilney is mean and avaricious and unpleasant all around. Captain Tilney feels no shame for his boorish behavior or lack of empathy for anyone. Eleanor Tilney is saccharinely sweet and nondescript. I found her viscount husband, Charles, much more interesting. As a budding Gilbert White, he studies butterflies with the same zest as Captain Tilney collects whores. We even meet the Allens in Bath, along with Catherine’s sister, Sarah, who lives with them.

To this mix, Birchall adds a dash of curses, and tales of mad monks and maledictions, and the mysterious lady in grey. The Bride of Northanger reminded me in many ways of Jane Eyre by Charlotte Brontë and Rebecca by Daphne du Maurier. This Austen variation is a perfect gift for a budding young Janeite (or yourself). After purchasing it, I recommend curling up on a sofa near a crackling fire for a few hours of blissful reading.

About Diana Birchall:

Diana Birchall worked for many years as a story analyst for Warner Bros Studios, reading novels to see if they would make movies. Reading popular manuscripts went side by side with a lifetime of Jane Austen scholarship, and resulted in her writing Austenesque fiction both as homage and as close study of the secret of Jane Austen’s style. She is the author of The Bride of Northanger, published by White Soup Press, Mrs. Darcy’s Dilemma and Mrs. Elton in America, both published by Sourcebooks, as well as In Defense of Mrs. Elton, published by JASNA, and hundreds of short stories.   Her plays have been performed in many cities, with “You Are Passionate, Jane,” a two person play about Jane Austen and Charlotte Bronte being featured at Chawton House Library.

Find out more about Diana by following her on Facebook and Twitter @Dianabirchall

The Bride of Northanger Blog Tour Banner Fina

 

Jane Austen’s World is part of the #Janeite Blog Tour of The Bride of Northanger, a Jane Austen Variation by Diana Birchall.

Learn more about the tour and follow the participating blogs.

The doyenne of Austenesque fiction, Diana Birchall, tours the blogosphere October 28 through November 15, 2019, to share her latest release, The Bride of Northanger. Thirty popular bloggers specializing in historical and Austenesque fiction are featuring guest blogs, interviews, excerpts, and book reviews of this acclaimed continuation of Jane Austen’s Gothic parody, Northanger Abbey.

The Bride of Northanger: A Jane Austen Variation, by Diana Birchall
White Soup Press (2019)
Trade paperback & eBook (230) pages
ISBN: ISBN: 978-0981654300

PURCHASE LINKS:

Amazon | Barnes & Noble | Goodreads

Thank you, Laurel Ann, for including me in this tour.

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