Jane Austen’s World blog is participating in a tour of Stephanie Barron’s new book, Jane and the Waterloo Map, wherein our favorite author turns sleuth in this Regency-era mystery. I have interviewed Stephanie Barron, author of this delightful mystery, and wished I had asked more questions!
It is November, 1815. The Battle of Waterloo has come and gone, leaving the British economy in shreds; Henry Austen, high-flying banker, is about to declare bankruptcy—dragging several of his brothers down with him. The crisis destroys Henry’s health, and Jane flies to his London bedside, believing him to be dying. While she’s there, the chaplain to His Royal Highness the Prince Regent invites Jane to tour Carlton House, the Prince’s fabulous London home. The chaplain is a fan of Jane’s books, and during the tour he suggests she dedicate her next novel—Emma—to HRH, whom she despises.
However, before she can speak to HRH, Jane stumbles upon a body—sprawled on the carpet in the Regent’s library. The dying man, Colonel MacFarland, was a cavalry hero and a friend of Wellington’s. He utters a single failing phrase: “Waterloo map” . . . and Jane is on the hunt for a treasure of incalculable value and a killer of considerable cunning…
1. Vic: Hi Stephanie, Thank you for allowing me to interview you! I have so many questions, but a limited time to talk to you. Please describe your book and tell us why readers will be intrigued with your latest mystery.
Stephanie: The thirteenth Jane Austen mystery combines a well-documented period in her life—the autumn of 1815, when she was staying with her ailing brother Henry in London and preparing Emma for publication—with the aftermath of the Battle of Waterloo in English politics and society. That November, Jane was invited to the Prince Regent’s London home, Carlton House, and asked (ordered) to dedicate Emma to the Prince. I have her stumbling over the body of a Waterloo veteran in the Carlton House library, so I think the story gets off to a great start.
2. Vic: My Janeite group loves your novels and have read your books since JANE AUSTEN AND THE UNPLEASANTNESS AT SCARGRAVE MANOR. How did you originally come up with the idea of a Jane Austen mystery series?
Stephanie: I had studied the Napoleonic/Regency period in college, and was a lifelong reader of Austen—I began with Pride and Prejudice at age 12—but I had never thought of writing what is now called “Austenesque” fiction. At the time I wrote the first Jane mystery, I was also writing a contemporary police procedural series set on Nantucket Island under my married name, Francine Mathews. This was twenty-two years ago, during the winter of 1994. I was rereading Austen’s novels and reflecting on the richness of her language, and how difficult it was to persuade some readers to wrestle with the complexity of that language in order to experience the story. I thought it would be challenging and fun to attempt to use Austen’s distinct voice in a novel, and encourage contemporary readers to engage its complexity—by giving them a murder to solve. From that moment, I had to decide for myself if I wanted to go whole-Austen-hog and use her actual characters. But I personally think that each of us has an inner sense of her characters that we may not always like to see violated by another person’s version. So I decided instead to use Jane herself as my detective. I went to her letters, first and foremost, for a detailed record of her days—and was delighted to find that there were gaps in that record I could fill with fiction.
3. Were you surprised at how receptive readers were with the idea of Jane Austen as sleuth?
Stephanie: Yes. I was honestly afraid that the Unpleasantness at Scargrave Manor would be dismissed or ridiculed as either a travesty of her style or an attempt at exploitation. It was a relief when the book was generally embraced. Although I should say that I did receive a few incensed and irate letters. There will always be folks who lack a sense of humor.
4. Vic: What did you enjoy most in doing research for JANE AND THE WATERLOO MAP?
I have a deep and abiding interest in the Napoleonic Wars, dating from my first exposure to War and Peace when I was ten years old. To be able to wallow in accounts of the battle of Waterloo was quite self-indulgent. I also loved studying the old prints of Carlton House, which appears to have been an elegant and beautifully-designed place, sadly demolished only a few years after Jane saw it.
5. Vic: Tell us a little about your writing day. Are you a disciplined author or do you need to be inspired, by a deadline, for example, or a great idea?
Stephanie: I am a highly disciplined writer. It’s impossible to draft, complete, and promote twenty-six novels over twenty-three years without being disciplined, particularly if one is also raising children and dogs. I alternate work on the Jane Austen series with standalone historical espionage novels that require a totally different degree of research and construction. I frankly tell aspiring writers, however, that it is much easier to be disciplined when you have a contract from a publisher—because then the work is no longer a wistful dream, but your job, with expectations you must meet and editors you regard as your employers. I know that I have been profoundly fortunate to be able to work at home for the past two decades, on my own schedule, pursuing my cherished impulses and ideas, and yet be paid for my work.
6. Vic: Which Jane Austen novel is your favorite and why?
Stephanie: Persuasion. I regard it as the apogee of her work. Anne Elliott is the most perceptive and profound of her heroines. It’s one of the first novels in the English cannon in which a period of depression is portrayed, as well the emergence from depression and into full engagement with life—which occurs in parallel to Anne’s reviving romance with Wentworth, not as a direct result of it. It is also the most perfectly edited of Austen’s works, probably because she had grown in technique as a writer by the time she embarked on it—she was self-editing as she wrote, and the finished work is tightly plotted and beautifully honed, not a word wasted.
7. Vic: Would you like to add anything else for my readers?
8. Vic: It’s a pleasure to chat with you, Stephanie. I must admit that PERSUASION is also my favorite Jane Austen novel (a preference I discovered in my, ahem, mature years). My sentimental favorite shall always be PRIDE AND PREJUDICE. You were twelve when you first read the book; I was fourteen. Sigh. Good luck with JANE AND THE WATERLOO MAP, and thank you so much for these illuminating answers.
Stephanie: The pleasure was all mine!
Click on this link to follow the blog tour from February 2, 2016 – February 22, 2016.
About the Author:
Stephanie Barron was born in Binghamton, New York, the last of six girls. She attended Princeton and Stanford Universities, where she studied history, before going on to work as an intelligence analyst at the CIA. She wrote her first book in 1992 and left the Agency a year later. Since then, she has written fifteen books. She lives and works in Denver, Colorado. Learn more about Stephanie and her books at her website, visit her on Facebook and Goodreads.
Stephanie’s Twitter handles are: @SBarronAuthor; @Soho_Press. Her Twitter hashtags are: #WaterlooBlogTour, #JaneAusten, #HistoricalMystery, #RegencyMystery, #Reading, #AustenesqueMystery #Austenesque #Giveaway
Grand Giveaway Contest
Win One of Three Fabulous Prizes:
In celebration of the release of Jane and the Waterloo Map, Stephanie is offering a chance to win one of three prize packages filled with an amazing selection of Jane Austen-inspired gifts and books!
To enter the giveaway contest, simply leave a comment on any or all of the blog stops on Jane and the Waterloo Map Blog Tour starting February 02, 2016 through 11:59 pm PT, February 29, 2016. Winners will be drawn at random from all of the comments and announced on Stephanie’s website on March 3, 2016. Winners have until March 10, 2016 to claim their prize. Shipment is to US addresses. Good luck to all!